The Church Music Association of America presents:
June 20 – June 25, 2016
St. Louis, Missouri
The Church Music Association of America is proud to invite you to celebrate with us as we hold our 26th Colloquium in 2016. The CMAA’s Sacred Music Colloquium continues to be the largest and most in-depth teaching conference and retreat on sacred music in the world.
Our 2016 program offers new and expanded opportunities for learning, singing, listening, and interacting with some of the best minds and musicians in the Catholic world today! Liturgies will be held at three great venues – the Cathedral Basilica of St. Louis, The Pro-Cathedral of St. John the Apostle and Evangelist and the Shrine of St. Joseph.
The CMAA Colloquium is primarily focused on instruction and experience in chant and the Catholic sacred music tradition, participation in chant choirs, lectures and performances and daily liturgies. During the week, you’ll be able to participate in ordinary and extraordinary form Masses, in Latin or English, as well as an evening Vespers, and sung morning and night prayer.
As a participant, you are an integral part of the beautiful music from the Roman Catholic tradition. Experience not only the traditional Gregorian chant and Renaissance polyphony of the church’s musical treasure, but also new compositions of English propers and ordinaries by various composers, as well as modern motets.
Attendance is open to anyone interested in sacred music in Catholic worship. Professional musicians, volunteer singers and beginners to the chant tradition will enjoy the opportunity to study under an expert faculty. We will also offer specific training for priests, deacons and seminarians who want to Sing the Mass, and for those who work to train clergy at home, taught in a relaxed atmosphere, friendly to the non-musician.
Make plans now to join us this year in St. Louis, sharing a wonderful six days of liturgies, training, breakout sessions, morning and night prayer, and camaraderie with fellow church musicians.
Most training sessions, plenary talks and breakout sessions will be held at the conference hotel, the Saint Louis City Center Hotel. We have secured an amazing conference rate for our attendees of only $109/night (plus taxes) for room occupancy up to four people.
Registration information and details forthcoming.
English organist and conductor Mark Williams will return to Portland this summer to direct the award-winning choir Cantores in Ecclesia in a seventeen-day festival featuring choral masterpieces by the great Renaissance composer William Byrd (1540-1623) and his contemporaries. The complete festival schedule includes an organ recital on the world-class Rosales organ at Trinity Episcopal Cathedral, seven liturgical services, three public lectures, and a gala final concert, VOX PATRIS: Sacred music by Byrd and his predecessors. The final concert, at 7:30 pm on Sunday, August 23, will feature the magnificent twenty-minute motet Vox patris caelestis by William Mundy (c. 1529-1591) and a beautiful and little-known service by Byrd composed in honor of the Virgin Mary.
For more information about the festival, visit their website at www.byrdfestival.org.
Download details of the news release here.
A Byrd Celebration: Lectures at the William Byrd Festival, published by the CMAA.
NEW! Missa super Pilons pilons l’orge by Orlando di Lasso uploaded. This entire mass setting will be included in the printed music book you receive when you arrive in Houston. Take a look at the newly engraved edition of this Mass in advance (see links below).
The Church Music Association of America is pleased to announce the first Winter Sacred Music Workshop for Chant and Polyphony. This five-day workshop offers participants the opportunity to study chant and polyphony with outstanding directors Scott Turkington and Wilko Brouwers.
Experience the beautiful liturgies of Epiphany (January 6) and a Votive Mass for the Holy Name of Jesus (January 8) at St. Mary’s Seminary Chapel. The liturgy on January 6 will be celebrated in the Extraordinary form; the liturgy January 8 will be celebrated in the Ordinary form and will combine the lovely sacred music from chant and polyphonic traditions.
Experience Morning and Night prayer, training in chant and polyphony, and shared meals with fellow musicians in the sunny Texas city of Houston. The Texans have promised to provide hospitality and beautiful weather for our visit.
As a special treat, early arrivals to the event can choose to experience Solemn Vespers with Felipe Gasper and the professional choir Sola Stella in residence at Annunciation Parish (1618 Texas Avenue, Houston, TX) at 7:00 pm on Sunday evening, January 3rd. For more information, visit the parish website at: http://annunciationcc.org or the google calendar link for the event. The repertory for Vespers will include: Willan “The Three Kings”, a Gombert Magnificat, and Marenzio “Tribus miraculis”. The hymn and chants are from Antiphonale Romanum II, with one of the psalms done to Anglican chant, but in Latin.
In addition, the children’s choir from St. Theresa’s Parish will provide music for daily Mass at 11:00 a.m. on Thursday, January 7th in the seminary chapel. The choir is directed by Ben Geier, along with Dr. Kevin Clarke.
When you come to the Winter Sacred Music program, you will need to choose a chant choir for your participation during the week. There are few joys greater than singing in a well-prepared Gregorian chant choir. Although there is always a little tweaking after the first day, i.e. singers moving up or down a level, most people find it relatively easy to choose.
Many returning attendees to the CMAA events find themselves advancing from a fundamentals/refresher choir to the advanced. Some attendees may choose to attend a fundamentals/refresher course in order to learn teaching techniques for beginners from the conductors, even though their level of chant singing is on a higher level than most attending a fundamentals/refresher course.
Each participant should choose one of the chant courses:
Fundamentals and Refresher Course for Men and Women (Director, Scott Turkington) This course in Gregorian chant is intended for chant beginners or for those with some background in chant, but without the opportunity to sing it on a regular basis. Participants will learn how to read the four line staff, the names of the neumes, and how to navigate the intervals with solfege. Rhythm will be introduced. This group will sing the Mass ordinaries, as well as some of the less difficult Mass propers for the liturgies.
Intermediate to Advanced Course for Men and Women (Director, Wilko Brouwers) This course is intended for intermediate or advanced singers who sing chant regularly. The bulk of the more difficult Chanted Mass Propers for the liturgies will be sung by this choir, as well as the chanted Mass ordinaries.
Being part of a polyphonic choir is one of the many highlights of the CMAA events. Note that there is no sign-up or pre-registration for either of the choirs. Simply arrive at the rehearsal of your choice on Monday. If the conductors find they have too many sopranos or too few tenors, for example, a little shifting around may occur from choir to choir on the first day.
But as a matter of good choir etiquette, conductors ask that you not bounce from choir to choir. Five days of rehearsal is not much time to develop an ensemble sound, and the deadlines of performing in liturgy loom delightfully throughout the week.
Each participant should choose one of the polyphony courses:
Beginner/Intermediate Motets (Director, Wilko Brouwers)
This choir is designed to introduce and improve on the critical vocal and musical techniques necessary for singing polyphonic music. Singers will learn how to carry a part on their own, independent of other sections, and without accompaniment. Members of this choir will learn rhythm, pitch, and vocal production. The choir is designed for novice to intermediate singers who would not yet benefit from the more advanced choir, but it might also be useful for directors who wish to see how a master goes about teaching less-experienced singers to make beautiful music. Repertory information to be forthcoming.
Intermediate/Advanced Polyphony (Director, Scott Turkington)
Because of the larger amount of repertory this choir will sing, it is recommended that intermediate to advanced choral singers with more experience in singing unaccompanied pieces choose this choir. Repertory information to be forthcoming.
Dr. William Mahrt (Board President of the CMAA and Professor at Stanford University) will speak during three breakout sessions during the week. The topics will be:
Tuesday, January 5, 2016: “The Basics of Gregorian Notation and its Relation to the Sound of the Music”
Wednesday, January 6, 2016: “The Differences in Style Between Kinds of Gregorian Chant”
Thursday, January 7, 2016: “The Beauty of the Liturgy and Why It Matters”
Winter Sacred Music 2016 Schedule (preliminary)
NEW! Repertory (preliminary)
Online Registration and Payment
St. Mary’s Seminary Website
NEW! Instructions for Priests, Deacons and Seminarians
NEW: Missa super Pilons pilons l’orge, by Orlando di Lasso
Winter Sacred Music will begin at 1:00 pm on Monday afternoon, January 4th, and will conclude on Friday, January 8th, with the closing Mass at 11:30 in the Seminary Chapel.
Mail-in and online registration can be completed now. To To register by mail and pay by check, complete the registration form and mail to CMAA, PO Box 4344, Roswell, NM 88202. The discount code for members has been sent to our member list by email. Please contact Janet Gorbitz or call 505-263-6298 for questions about your member discount code if you have not received it.
Tuition includes all sessions and materials as well as meals as described in the schedule. You will receive all course materials including the Parish Book of Chant upon arrival. The week’s events will culminate with Mass at the Seminary Chapel at 11:30 a.m.
Early Registration (deadline: November 14, 2015) for CMAA members is $325, including nonrefundable deposit of $75. Non-member price is $375. Payment must be made in full by November 14 to receive this rate.
Regular Registration (deadline: December 15, 2015) for CMAA members is $375, including nonrefundable deposit of $75. Non-member price is $425. Payment must be made in full by December 15th to receive this rate.
Space is limited for this course, but late registrations will be accepted if space is available after 12/15/15. The late registration fee is $50.
HOTEL ACCOMMODATIONS are available at the Sheraton Suites Houston near The Galleria (2400 West Loop South, Houston, TX 77027, (713) 586-5187). Rooms are available at the special conference price of $119 per room per night, plus tax, for single or double rooms, up to occupancy of four per room. Make your reservation before December 14th, 2015 to get the special group rate. Please mention “Winter Sacred Music Conference” if calling the hotel directly to make reservations.
Amenities include free internet in all guest rooms and self parking at $7 per day (discounted from $16/day). The property includes a fitness center, full service restaurant, bar, and complimentary shuttle service within a 3-mile radius. This hotel is 3.7 miles from the Seminary, so guests should plan to make other arrangements for transportation to and from the course at St. Mary’s each day. The hotel shuttle can provide transportation to local area shopping centers and restaurants.
To register for hotel accommodations at this special rate, mention “Winter Sacred Music Conference” when making your reservation. Link to hotel reservation page.
An early departure fee of $59.50 will apply if a customer checks out prior to the confirmed checkout date. The hotel is smoke-free (the hotel will post a $250 cleaning fee to the account of any guests who smoke in their guest room).
Requests received in writing at the CMAA Office (by mail or email) by December 15th will receive a refund less the nonrefundable $75 deposit. Refunds will be processed after the Winter Sacred Music course has concluded. Any requests for cancellation after December 15th will only be processed if a replacement from the waiting list is able to take your place. We expect this course to fill quickly, so don’t delay.
Wilko Brouwers of the Netherlands joins us this year for Winter Sacred Music. He has taught both chant and polyphony at the CMAA Colloquia since 2004 and has developed a loyal following among CMAA program attendees. We are indeed fortunate that his schedule will allow him to also teach this course.
Wilko Brouwers has conducted the Monteverdi Kamerkoor Utrecht since 1989 and the Strijps Kamerkoor Eindhoven since 2004. He is also currently the director of the Gregorian Schola of St. Benedictus Abbey in Achel, Belgium, a post he has held for the last eight years. His original compositions have been published and recorded.
As a music educator, Wilko Brouwers teaches choral conducting at the Utrecht Art Center in the Netherlands. Internationally, he has taught workshops on Gregorian chant in Auburn, Alabama, Still River, Massachusetts, and Pamplona, Spain. Brouwers is the author of Stepping Tones, a method of sight reading for elementary schools and children’s choirs based on the Ward Method. His Words with Wings: Gregorian Chant for Children in Twenty Lessons has been published by the Church Music Association of America, with both student and teacher’s workbooks and demonstration CDs. Brouwers also writes on chant, music education, vocal training, and choral repertoire for a number of Dutch and European music journals.
Prior to joining the staff at Holy Family in 2013, Turkington served as principal organist and choirmaster of the Roman Catholic Cathedral of St. John the Baptist in Charleston, SC. Until 2010, he served as organist and choirmaster for the Roman Catholic Basilica of Saint John the Evangelist in Stamford, Connecticut, where he conducted a choir in a program of weekly polyphonic Mass settings and Gregorian chant. Before accepting the position at St. John’s in 1998, he was Assistant Organist and Conductor at the National Shrine of the Immaculate Conception in Washington, D.C. While at the National Shrine, he played for over 500 services each year, and appeared on live national television dozens of times.
He has been Music Director at the Church of the Covenant in Boston; Music Teacher and Organist at St. Paul’s Choir School in Harvard Square, under Theodore Marier. A native of Minneapolis, he studied music at the University of Minnesota, the Boston Conservatory of Music and The Catholic University of America. His former teachers include Heinrich Fleischer, Phillip Steinhaus, and George Faxon.
In frequent demand as an organ recitalist, he has played innumerable recitals in the Northeast, having made his New York debut at St. Patrick’s Cathedral. He has performed for a national convention of the Organ Historical Society, and is a featured performer on the Organ Historical Society’s compact disc, Organs of Baltimore. In 1994, his choir performed for Pope John Paul II at St. Peter’s Basilica in Rome.
He is editor of A Gregorian Chant Masterclass by Theodore Marier, published by the Abbey of Regina Laudis in Bethlehem, Connecticut. This book and its companion CD feature the Stamford Schola Gregoriana and the nuns of Regina Laudis, both conducted by Turkington.
Dr. Mahrt is Associate Professor and Director of Early Music Singers at the Center for Medieval and Early Modern Studies at Stanford University, President of the Church Music Association of America, and editor of Sacred Music, the oldest continuously published journal of music in North America.
Dr. Mahrt grew up in Washington state; after attending Gonzaga University and the University of Washington, he completed a doctorate at Stanford University in 1969. He taught at Case Western Reserve University and the Eastman School of Music, and then returned to Stanford in 1972, where he continues to teach early music. Since 1964 he has directed the choir of St. Ann’s Chapel in Palo Alto, which sings mass and vespers in Gregorian chant on all the Sundays of the year, with masses in the polyphonic music of Renaissance masters for the holy days.
His research interests include theory and performance of Medieval and Renaissance music, troubadours, Machaut, Dufay, Lasso, Dante, English Cathedrals, Gregorian chant, and Renaissance polyphony. He has published articles on the relation of music and liturgy, and music and poetry. He frequently leads workshops in the singing of Gregorian chant and the sacred music of the Renaissance.
Clarke was born in South Kingstown, Rhode Island. After several years of self taught playing Mr. Clarke studied with George Kent and Steven Martorella. He obtained his Bachelor of Music degree from Rhode Island College and his Master of Music degree from the New England Conservatory in Boston where he studied with Frank Taylor and Yuko Hayashi. During that time he was organist and choirmaster of St. Peter’s and St. Andrew’s Episcopal Church in Providence where one of two Fisk organs in Rhode Island resides. He has coached with Dr. Jesse Eschbach in French organ technique and style as well as improvisation with George Baker and Philippe Lefebvre. In the art of choral training he has worked with Malcolm Archer, Sir David Willcocks and the late George Guest. In 2000 he was awarded the Doctor of Humane Letters from the Seminary of the Southwest for his compositions and recordings of sacred music.
He has held positions at Washington National Cathedral, Bristol Cathedral, Bristol England, Church of the Incarnation, Dallas, Texas and St. Mary’s Greenville, South Carolina. Beginning in July 2010 the Clarke family moved to the Houston Texas area to be closer to Elizabeth’s family, work with the family business, to be Music Director of St. Theresa’s Sugar Land and to continue work on the faculty of St. Nicholas School.
As a recitalist, he has performed in North America, Mexico, the Caribbean, Italy, Great Britain, and Germany, where he played the world premiere of Hans-Dieter Karras’ 2nd Symphony for orchestra and organ. He has represented the United States in several international festivals including the Cervantino Festival International, The International Organ Festival of Caen, France and the Morelia International Organ Festival.
Mr. Clarke’s most recent recordings feature music of the English Cathedral tradition sung by the Incarnation Chancel Choir on the Pro Organo label, and an organ CD entitled “Trumpet Tunes” on the Prospect label and is on the Albany label. His newest release on the Pro Organo label entitled “A Sacred Romance” is a recording of French organ music. Last fall, a recording of all Bach on the Fisk organ at Palmer Memorial, Houston, TX, was released and is available on itunes.
Several of his compositions can be found published by St. James’s Press. His performances have been heard on National Public Radio and Organlive.com.
Kevin lives in Sugar Land, Texas with his wife Elizabeth, children Lucy, Hugh, and dog Skipper, a Golden Retriever. In his spare time, he bikes, builds model ships, works with his children on a scale model railroad and likes to sail on Galveston Bay.