Ward I – That All May Sing
Results from our Colloquium survey last summer indicated that our membership is clamoring for more information and training about teaching children. Covering the topics in one-hour breakout sessions at a Colloquium, no matter how valuable, isn’t sufficient time to allow participants to gain the skills needed.
In response, for the first time, we will be offering a beginning course in the Ward method* concurrent with our Chant Intensive course.
The five-day course will be taught by Scott Turkington, providing training to allow participants to teach groups of children using these tried and true methods. Read the entire description at our Summer Chant webpage.
Gain the skills and tools you need to begin teaching the Catholic leaders of tomorrow to sing using Justine Ward’s methods.
Ward method materials including Teacher’s Manual, Student Workbook, Teacher’s Workbook, pitch pipe, and Red/Green pointer stick will be provided for each participant.
* The CMAA Ward Course does not have any official Ward accreditation and is not affiliated with the Center for Ward Studies.
The CMAA has offered Chant Intensive courses since 2008. Each year, new attendees take the knowledge home and use it in their home parishes, increasing their skill level and sharing the information with others. What has been a consistent request from CMAA program attendees has been more information and training on effective chant direction. This summer’s Chant Intensive will do just that.
This course (Monday – Friday) will be taught by Wilko Brouwers, focusing on directing techniques for current and prospective chant directors. Through the use of:
General directing exercises,
Individual practice with the choir group (participants choose their own chant pieces), and
… participants in the directing course will gain knowledge and practical experience during the 5-day course. The class will have two sections — for prospective directors and for singers — see the complete description at our Summer Chant Course webpage.
The basics of chant will not be taught in this course, other than as illustrations for the directing course.
Because of the nature of our summer course offerings, we must limit class sizes to allow time for adequate interaction with the instructors.
So… if you have been waiting for the opportunity to study with a master director to gain the skill and confidence to direct your own schola or would like to gain the skills to improve the sound of your choir, please make plans to join us this summer in Pittsburgh.
If you prefer to mail in your registration, please download a registration form for your preferred course from the webpage and mail it to us at: CMAA, PO Box 4344, Roswell, NM 88202. Please contact Janet Gorbitz if you have questions about the summer courses at firstname.lastname@example.org.
A Sacred Music Symposium will be held in Los Angeles from May 29-31, sponsored by FSSP.la (the Priestly Fraternity of St. Peter’s LA Apostolate). The Symposium is especially designed for music directors and singers who wish to introduce the glorious treasury of Gregorian chant and polyphony to their parish, but are unsure how to begin.
The Symposium is a unique opportunity to get resources and practical advice from experienced choirmasters, conductors, composers and organists, while learning polyphony and plainsong from Dr. Horst Buchholz (Choirmaster of the Cathedral Basilica of St. Louis, Missouri) and Dr. Alfred Calabrese (Choirmaster of St. Rita Catholic Church in Dallas, Texas). The Symposium will culminate in an Extraordinary Form Solemn Mass, in which participants will sing movements from a Mass setting by Francisco Guerrero (d. 1599), one of Spain’s greatest composers.
The fee for the Symposium is just $135. To register, visit http://www.ccwatershed.org/symposium where full details of the planned events are listed.
CMAA Board Member and Colloquium Faculty member Jonathan Ryan announces the release of a new solo organ recording available now!
Recorded on a specifically chosen European pipe organ famous for its brilliant fusion of German, French, and English Romantic styles, the repertoire centers around music with significant influences from another style or nationality, and which additionally makes strong connections between North America and Europe.
Included are major works by Healey Willan and Marcel Dupre: the German-inspired Introduction, Passacaglia, and Fugue, Op. 149 and Gregorian-chant based Symphonie-Passion, Op. 23 respectively.
Also featured is a commissioned piece by renowned English composer Philip Moore, and the recording premiere of Ride in a High Speed Train by contemporary Dutch composer Ad Wammes.
Colloquium attendees heard two of these works in Jonathan’s 2015 Colloquium recital at St. Paul Cathedral in Pittsburgh, PA.
For more information about purchasing, visit Jonathan’s website.
In addition, a special Recording Release and CD Signing Reception is to be held Tuesday, December 22, 2015 at 7:30 pm at Christ Church (Episcopal) in Greenwich, CT. Special guest, renowned English composer Philip Moore: Featuring the premiere performance of his commissioned piece. (map).