Search Results for: graduale romanum

Zoom Links – Full

UPDATE: Zoom Recording links are no longer operational. The CMAA will upload the recordings to our own site and make them available to registrants when they are ready for viewing.

MONDAY, JUNE 21, 2021

4:30 pm (EDT), Spiritual Reflection, Rev. Robert Pasley
Mediator Dei
RECORDING Password:B0!f+F9E

5:10 pm (EDT), Welcome and Plenary Address, Dr. William P. Mahrt
RECORDING Password: &V9Yz6ja

6:45 pm (EDT), Vocal Pedagogy, Dr. MeeAe Cecilia Nam
Preparation notes for this session:
All participants please have a cup of water and a drinking straw for your own use during the session!
PEDAGOGY HANDOUT
BREATHE BETTER HANDOUT
RECORDING Password: 4hv?@bXc

8:15 pm (EDT), Night Prayer, Viri Galilaei, conducted by David J. Hughes
YouTube Direct Link: COMPLINE

RECORDING  Password: oC!8Q3wJ

Worship Aid can be found here: COMPLINE TOOL
Selections needed: Enter date (6-21-21); Choose “Monday at Compline”; Choose “Officiant is a Priest or Deacon”; Season is “Throughout the Year”; Scroll down to Salve Regina and choose Solemn form (check the box).

TUESDAY, JUNE 22, 2021

4:30 pm (EDT), Spiritual Reflection, Rev. Robert Pasley

RECORDING Password: w58A^.br

5:10 pm (EDT), Plenary Address, Most Reverend Salvatore J. Cordileone, Archbishop of San Francisco

RECORDING Password: ub#7qU1F

6:45 pm (EDT), Chant Modes, Nicholas Lemme
MODES HANDOUT
Recommended Resources:

Gregorian Chant Textbook -Dom Sunol
The Gregorian Modes -Dom Saulnier
Liber Usualis

RECORDING Password: 5nV.t55F

6:45 pm (EDT), Preparation of Music Editions, David J. Hughes
HANDOUT

RECORDING Password: @cQt6RHG

8:20 pm (EDT), Vocal Training of the Young Voice, Dr. Lucas Tappan
VOCAL TRAINING OF THE YOUNG VOICE HANDOUT

RECORDING Password: 0X6!ARD%

8:20 pm (EDT), Psalm Foundation of the Propers, Dr. William P. Mahrt
PSALM FOUNDATION HANDOUT

RECORDING Password: Hw18!Pfk

9:55 pm (EDT), Night Prayer, Schola Cantorum of the Brompton Oratory, conducted by Charles Cole
DIRECT LINK TO WATCH ON VIMEO

RECORDING Password: vHqY1#&j

Worship Aid can be downloaded here: COMPLINE PDF

WEDNESDAY, JUNE 23, 2021

6:45 pm (EDT), The Proper of the Mass | Propio de la Misa, Mario Esmildo (in Spanish)

RECORDING Password: @1nBb$d%

8:20 pm (EDT), Sacrosanctum Concilium, Jose Ballon (in Spanish)
HANDOUT

RECORDING Password: 7MHv?*ev

THURSDAY, JUNE 24, 2021

4:30 pm (EDT), Spiritual Reflection, Rev. Robert Pasley

RECORDING Password: q1X8h$$5

5:10 pm (EDT), Plenary Address, Rev. Joseph Koterski, S.J.
HANDOUT FOR PLENARY ADDRESS

RECORDING Password: 79#sC$tp

6:45 pm (EDT), Mastering Mocquereau’s Method, Dr. Jennifer Donelson-Nowicka
HANDOUT

RECORDING Password: tK^4CLfh

6:45 pm (EDT), Child Oblates and Young Singers in the Medieval Liturgy, Dr. Susan Boynton
HANDOUT

RECORDING Password: WAV.1tU^

8:20 pm (EDT), Singing the Scriptures: Cantillation of the Latin Epistle and Gospel in the Medieval Mass, Dr. Joseph Dyer
Handout for the session: DYER HANDOUT

RECORDING Password: $LbE0k#i

8:20 pm (EDT), Building Up the Choral Sound, Dr. Horst Buchholz
HANDOUT
RESOURCES HANDOUT
WARMUP HANDOUT

RECORDING Password: .dhNu0Zt

9:55 pm (EDT), Night Prayer, Benedictines of Mary, Queen of Apostles, Gower, MO

Watch directly on Vimeo here: COMPLINE 6-24-21
Worship Aid can be found here: DIVINE OFFICE
Selections needed: Enter date (6-24-21); Choose “Monastic”; Click on “Completorium”
To download a pdf file: COMPLINE PDF

RECORDING Password: 9N?3.i^T

FRIDAY, JUNE 25, 2021

11:00 am (EDT), Livestream Requiem Mass, Mater Ecclesiae Parish, Berlin, NJ, Rev. Robert Pasley, celebrant

Music conducted by Peter Carter
Newly edited edition of Casciolini Missa pro defunctis prepared by David J. Hughes PDF AT CPDL.ORG

CMAA YOUTUBE CHANNEL

4:30 pm (EDT), Spiritual Reflection, Rev. Robert Pasley

RECORDING Password: GKUPD7E!

5:10 pm (EDT), Young Choristers, Mary Ann Carr Wilson
HANDOUT

RECORDING Password: =x$FwA0C

5:10 pm (EDT), Polyphonic Mass Ordinaries for the Parish Choir, Dr. Timothy McDonnell
SCORES AGUS DE FERIA (LASSUS)
MISSA BREVIS (GABRIELI)
MESSA A SESTO TONO (GRANCINI)
MISSA BREVIS (GRAZIANI)
KYRIE II ME SUFFIT (LASSUS)
JAGERMESSE (LASSUS)
MISSA PRIMA DOMINICALIS (VIADANA)
SANCTUS (STAHEL)
MISSA SINE NOMINE (VIADANA)
MISSA CHRIST LAG IN TODESBANDEN (ZACHOW)

RECORDING Password: LKYGhs=6

6:45 pm (EDT), Parish Organ Techniques, Bruce Ludwick
SHARED RECORDING BY BRUCE LUDWICK

RECORDING Password: 5xg.Duy8

6:45 pm (EDT), Advanced Organ Techniques, Christopher Berry
ADVANCED ORGAN HANDOUT
SESSION NOTE: Please bring a copy of the Liber Usualis or Graduale Romanum with you for this session. Alternatively, you can use the CMAA pdf file that is freely available for download here: LIBER USUALIS PDF

RECORDING Password: 8%FQA*QY

8:20 pm (EDT), Beginning Semiology, Dr. Edward Schaefer
SEMIOLOGY HANDOUT
STUDY GUIDE

RECORDING Password: !Wmd8X9B

8:20 pm (EDT), Hymnody, Dr. Susan Treacy
HANDOUT 2021
HANDOUT – CHURCH DOCUMENTS

RECORDING Password: .4uKKN@u

9:55 pm (EDT), Night Prayer, Clear Creek Abbey, Hulbert, OK

To learn more about studying chant at Clear Creek Abbey: CLEAR CREEK ABBEY WEBSITE

RECORDING Password: R2R6X%au

DIRECT LINK TO VIMEO RECORDING

Worship Aid can be found here: COMPLINE PDF

Summer 2021 Sacred Music Graduate Classes – St. Joseph’s Seminary (Online and In-Person)

St. Joseph’s Seminary and College in Yonkers, New York is happy to announce this summer’s robust program, featuring eight graduate-level courses in sacred music and liturgy to be offered online during the summer 2021 session.

Download the brochure, with an FAQ and more information, here.

Apply here.

Update 5/6/21: St. Joseph’s Seminary is happy to announce that we’ve opened up in-person participation as an option for 4 of our summer course offerings, including affordable room and board options on-campus.

An option for in-person study has opened for four of the eight classes:

  • Principles of Sacred Music (July 26 and 27 – the remainder of the class is self-paced on-line)
  • Principles of Chant (July 12–16)
  • Medieval & Renaissance Music Notation Practicum (July 28–30)
  • Teaching Gregorian Chant to Children (August 2–6)

All eight classes will remain accessible via participation on-line.

More information about all eight classes, inexpensive room and board options, and registration is all available at the program website, which features helpful FAQs.

June 1–July 25 – Principles of Sacred Music
3 credits or audit, taught by Dr. Jennifer Donelson-Nowicka, 8 weeks asynchronous online + 2 days synchronous online via Zoom, July 26 and 27, 9 a.m. to 5 p.m. EST

Through a survey of the history of sacred music and reading of Church and papal legislation on sacred music, students gain an understanding of the principles which shape Western sacred music and the musical structure of the Roman rite. Special focus is placed on current documents which govern music in the Church. The course also features in-depth discussion of practical issues including the formation and management of sacred music programs in parishes, active participation, progressive solemnity, the use of instruments in the sacred liturgy, resources available for music directors and choristers, and other relevant topics. 3 credits or audit.

June 1–July 13 – Introduction to Liturgy
3 credits or audit, taught by Fr. Nicholas Zientarski, synchronous via Zoom, Tuesdays and Thursdays, 6:30–9:30 p.m. EST

This course will explore the theological, historical, and pastoral dimensions of the sacred liturgy. The history of the liturgy of the Roman rite, the role of ritual and symbol, the principles and norms articulated in the Second Vatican Council’s Constitution on the Sacred Liturgy, and the theology of the Liturgy of the Hours will be the foci of this course.

June 1–July 13 – Parish Sacred Music Program Management
1 credit or audit, taught by Dr. Jennifer Donelson-Nowicka, synchronous via Zoom, Tuesdays, 6:30–8:30 p.m. EST

Open to musicians and clergy from parishes of any size who are searching for inspiration and ideas as they work to expand or make changes to an existing sacred music program, this course presents best practices from model parishes and programs. Covering structures, personnel, budget, recruitment, fundraising, materials (hymnals, instruments, library, some aspects of repertoire, etc.), and other resources, the seminar aims to provide resources for parishes to consider how they might develop a program which is faithful to the mind and heart of the Church, as well as intimately linked to the nature and structure of the sacred liturgy. The ideas presented in the course afford the opportunity to plot a path forward for a parish in which the music program is both spiritually frutiful and economically sustainable, as well as invigorating for the worship, health, and life of a parish through beauty.

June 3–July 12 – Sacred Music History Seminar & Practicum: The Liturgical Movement & Sacred Music Renewal 1800–1950
2 credits or audit, taught by Dr. Jennifer Donelson-Nowicka, synchronous via Zoom, Mondays and Wednesdays, 6:30–8:30 p.m. EST

Drawing on the rich writings of the Liturgical Movement and the intensive activity to renew sacred music during the 19th c. and first half of the 20th c., this seminar offers an in-depth study of historical documents, spiritual writings, and pieces from the Church’s treasury of sacred music. The knowledge gained from this study becomes a foundation for practice as we strive to enrich our prayer lives through theological meditations on important texts of the time as well as study musical repertoire that can be used in sacred music programs today. With an eye to choral program development and rehearsal technique, musicians will develop a working knowledge of important works from the treasury of sacred music from this era. This course is part of a five-part series, offered on a regular rotation, which focuses on different eras in sacred music history.

July 12–16 – Principles of Chant
3 credits or audit, taught by Dr. Jennifer Donelson-Nowicka, synchronous via Zoom, 9 a.m. to 5 p.m. EST

Serving as an introduction to Gregorian chant, this course will cover neumatic notation, Gregorian modes, ear training and sight reading, vocal technique appropriate for singing chant, and Latin pronunciation. Special focus will be placed on rhythmic interpretation of the chant according to the classical Solesmes (Mocquereau) method. By the end of the class, students will have confidence singing from the Graduale Romanum, singing solfège and psalm tones, and some experience in conducting (chironomy). Additional topics introduced in the class include the history of Gregorian chant, rehearsal techniques for teaching chant to children and adult choirs, and an introduction to chant resources in English and Spanish.

July 19–23 – Advanced Seminar in Gregorian Chant
2 credits or audit, taught by Dr. William Mahrt (Stanford), synchronous via Zoom, 11 a.m. to 1 p.m. and 4 p.m. to 7 p.m. EST

For students who have taken Principles of Chant or who sing Gregorian chant on a regular basis, this seminar presents advanced issues in the study of Gregorian chant. Focused on musical analysis for the study and singing of chant in the sacred liturgy, other topics include a study of the older neumes (semiology), important manuscripts for chant study, and an in-depth discussion of modes. Students will enrich their knowledge of the sung prayer of the Church through study which aims to bear fruit in conducting and teaching Gregorian chant to parish and school choirs.

July 28–30 – Medieval & Renaissance Music Notation Practicum
2 credits or audit, taught by Prof. Charles Weaver (Juilliard), synchronous via Zoom, 9 a.m. to 6 p.m. EST

Working from original manuscripts, students will study different styles of notation from Late Medieval and Renaissance choral music, including Dasein notation, the notation of the Notre Dame School of Polyphony, Franconian notation, Ars Nova notation, and notation of Renaissance partbooks. With an eye to enabling students to make their own editions from original manuscripts, elements of applied music theory from the eras of the studied notations will inform student work.

August 2–6 – Teaching Gregorian Chant to Children
3 credits or audit, taught by Dr. Jennifer Donelson-Nowicka, synchronous via Zoom, 9 a.m. to 5 p.m. EST

This 5-day intensive course will present pedagogical techniques for teaching Gregorian chant to children and is ideal for Catholic schoolteachers, directors and teachers of religious education, directors of children’s choirs, and parents. Special emphasis will be placed on the Ward Method, a comprehensive music education method designed to teach sacred music to children. Other topics addressed will include resources for teachers, other teaching approaches, and the logistics of developing a sacred music program for children.

Faculty
Dr. Jennifer Donelson-Nowicka (St. Joseph’s Seminary, Dunwoodie)
Dr. William Mahrt (Stanford University)
Prof. Charles Weaver (Juilliard)
Fr. Nicholas Zientarski (St. Joseph’s Seminary, Dunwoodie)

Tuition and Fees

50 % discount for 1st-time students or musicians in the St. Cecilia Academy for Pastoral Musicians.

The St. Cecilia Academy is open to all parish and school musicians who obtain a letter of support from their pastor.

Full price:
$500 to audit or
$500 per credit hour
(classes are either 2 or 3 credits)

All 2021 classes will be offered online via Zoom.

Registration Deadline:
Tuesday, June 1, 2021

Questions?
Contact Associate Dean,
Dr. Donna Eschenauer
Donna.Eschenauer@archny.org | 
(914) 367–8280

Updated: Mass propers in English

We’ve updated our list of projects offering English versions of the Mass proper chants. The propers are antiphons specified in the Church’s liturgical books for the specific Sundays and other days of the Church year. They are given to be sung, for example, at the entrance rite, the offertory procession, and during Holy Communion. Their texts can be drawn from the Roman Missal or from the Graduale Romanum, as specified in the General Instruction for the Roman Missal at sections 48, 74, and 87.

With the latest update, this list now has information on thirty websites, projects, and publications with scores you can view, download, or buy.

View: Mass Propers in English

Online Summer 2020 Sacred Music Study

In a time when what the summer holds seems unclear, here’s something to look forward to! St. Joseph’s Seminary has made a transition of all summer classes to an online format, and you can take up to 13 graduate credits in sacred music. Classes are taught by Drs. Jennifer Donelson-Nowicka, Crista Miller, and Timothy McDonnell.

More information and registration available here.

Principles of Sacred Music
Through a survey of the history of sacred music and reading of Church and papal legislation on sacred music, students gain an understanding of the principles which shape Western sacred music and the musical structure of the Roman rite. Special focus is placed on current documents which govern music in the Church. The course also features in-depth discussion of practical issues including the formation and management of sacred music programs in parishes, active participation, progressive solemnity, the use of instruments in the sacred liturgy, resources available for music directors and choristers, and other relevant topics. Asynchronous on-line June 1–July 26, synchronous (live) online July 27 and 28 from 9:00 a.m. to 5:00 p.m. Fulfills course requirements for the St. Cecilia Academy certification. Taught by Dr. Jennifer Donelson-Nowicka.

Principles of Chant
Serving as an introduction to Gregorian chant, this course will cover neumatic notation, Gregorian modes, ear training and sight reading, vocal technique appropriate for singing chant, and Latin pronunciation. Special focus will be placed on rhythmic interpretation of the chant according to the classical Solesmes (Mocquereau) method. By the end of the class, students will have confidence singing from the Graduale Romanum, solfège, and psalm tones, and some experience in conducting (chironomy). Additional topics introduced in the class include the history of Gregorian chant, rehearsal techniques for teaching chant to children and adult choirs, and an introduction to chant resources in English and Spanish. Synchronous (live) online July 13–17, 9:00 a.m. to 6:00 p.m. Fulfills course requirements for the St. Cecilia Academy certification. Taught by Dr. Jennifer Donelson-Nowicka.

Teaching Gregorian Chant to Children
This 5-day intensive course will present pedagogical techniques for teaching Gregorian chant to children and is ideal for Catholic schoolteachers, directors and teachers of religious education, directors of children’s choirs, and parents. Special emphasis will be placed on the Ward Method, a comprehensive music education method designed to teach sacred music to children. Other topics addressed will include resources for teachers, other teaching approaches, and the logistics of developing a sacred music program for children. Synchronous (live) online July 20–24, 9:00 a.m. to 6:00 p.m. Taught by Dr. Jennifer Donelson-Nowicka.

Conducting and Group Vocal Pedagogy for the Parish Music Director
Strategies and practice in conducting and teaching healthy vocal production to amateur singers. Synchronous (live) online July 29–31, 9:00 a.m. to 6:00 p.m. Taught by Dr. Timothy McDonnell.

Introduction to the Organ for Pianists
Essential knowledge and practice with registration, good technique, pedaling, hymn- and service-playing, and appropriate repertoire. Synchronous (live) online August 3–7, 9:00 a.m. to 12:00 p.m. and 3:00-6:00 p.m. Taught by Dr. Crista Miller.

Tuition
50 % discount for 1st-time students or musicians in the St. Cecilia Academy for Pastoral Musicians.
The St. Cecilia Academy is open to all parish and school musicians who obtain a letter of support from their pastor.
Full price: $500 to audit, $500 per credit hour (some classes are 2 credits, others are 3 credits)

Brochure available here. 

FAQ here. 

Faculty

Dr. Jennifer Donelson-Nowicka is an Associate Professor and the Director of Sacred Music at St. Joseph’s Seminary. Her scholarly and practical expertise lies in Gregorian chant and the Church’s teachings on sacred music. She has served as the president of the Society for Catholic Liturgy (SCL), and is currently on the board of the SCL and the Church Music Association of America (CMAA). Dr. Donelson-Nowicka is the managing editor of the CMAA’s quarterly journal Sacred Music, and is a consultant to the USCCB’s Committee on Divine Worship. She directs the Metropolitan Catholic Chorale, which she founded, as well as the St. Joseph’s Seminary Schola Cantorum. She is on the faculty of Cardinal Kung Academy in Stamford, CT, and teaches Gregorian chant to children using the Ward method in both Pelham and Sleepy Hollow, NY. Having given workshops in parishes, dioceses, and monasteries around the world, she also co-hosts Square Notes: The Sacred Music Podcast. 

 

Dr. Timothy McDonnell is Director of Choral Activities at the Benjamin T. Rome School of Music at The Catholic University of America. Widely recognized for his broad skill set and musicianship, conductor-composer McDonnell has earned a reputation for creativity and leadership on and off the podium. Dr. McDonnell has led several distinguished ensembles, including the Naples Philharmonic Orchestra, the Southwest Florida Symphony Orchestra, and the Collier County Sinfonietta, and has worked with some of the most renowned conductors in the world, including Gustavo Dudamel, Andrey Boreyko, Carlos Miguel Prieto, Cristian Macelaru, and Robert Page. Having worked with a variety of university and professional ensembles throughout the world, Dr. McDonnell’s performances have won national recognition. In 2013 McDonnell was a finalist for the American Prize in choral conducting for his performance of Mozart’s Requiem, and in 2014 he took third place in the 2014 American Prize for his performance of Brahms’ Ein deutsches Requiem. 

Dr. Crista Miller is the Director of Music and Organist at Houston’s Co-Cathedral of the Sacred Heart, where she directs the adult and children’s choirs and the concert series. Her Organ Committee was responsible for Martin Pasi’s 2010 Opus 19 organ. Her recent double-CD Bonjour and Willkommen: A Franco-German Debut (Acis Productions) has been hailed by Gramophone Magazine for “superlative artistry . . . and musical intelligence.” Dr. Miller has performed in 11 countries and 26 states, and is an engaging conference presenter. Her research on Naji Hakim’s music appears in the 2014 book Mystic Modern: The Music, Thought, and Legacy of Charles Tournemire and in December 2015’s ORGAN: Journal für die Orgel. Her students have served several parishes and successfully competed nataionally. Crista earned the DMA from the Eastman School of Music in 2006.  She continues to serve Eastman’s EROI in a leadership and research role.

CMAA Summer 2019 Chant Courses

June 24-28, 2019
Duquesne University, Pittsburgh, PA

UPDATE: ONLINE REGISTRATION IS CLOSED.

The CMAA is proud to present two summer courses for 2019. Both courses will be held concurrently at the Mary Pappert Music School at Duquesne University.

Chant Intensive

Instructor Jeffrey Morse

A five-day practical experience for beginners and intermediate chant singers

Laus in Ecclesia

Instructor Br. Mark Bachmann, OSB, choirmaster at Clear Creek Abbey

An in-depth exploration for beginners, the first part of a three-level program to train chant singers and conductors

More details on both courses:

HELPFUL LINKS

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