Author Archives: SacredMusic

Register by May 15th for Colloquium and save $50 (Extended to May 31!)

Sacred Music Colloquium XXV approaches!

StPaul16
This year’s Colloquium is to be in Pittsburgh, at Duquesne University, June 29 – July 4, 2015. Don’t delay… register now to avoid any late fees. If you register and pay your tuition in full by May 15th, you’ll save yourself $50.

This year’s Colloquium features many options on breakout sessions, with a particular focus on children’s programs. With speakers from choir schools, Pueri Cantores and successful parish programs, you will learn about their successes and be able to take these ideas home for use at your parish.

This year also features the possibility of scheduling a private vocal coaching session with Dr. MeeAe Cecilia Nam during the week. For the first time, we will also have a limited number of private organ lesson sessions available from Dr. Ann Labounsky, Dr. Paul Weber or Jonathan Ryan.

Once again, we’ll have a new music reading session, where composers can hear their compositions sung by the attendees. In addition, composers can participate in a 3-day breakout schedule with David Hughes to collaborate with other composers to fine-tune their chosen composition.

For all the details about the event, including schedule, repertory, faculty and more, visit our Colloquium Details page

Join us in Pittsburgh!

Register Online Now

If you prefer to mail in your registration, please download a registration form and send it to us at CMAA, PO Box 4344, Roswell, NM 88202,  postmarked by May 15th to receive regular tuition rates. Contact us at programs@musicasacra.com with any questions.

Musica Sacra Florida Annual Gregorian Chant Conference 2015

MSF 2015 Web Banner

Musica Sacra Florida

7th Annual Gregorian Chant Conference

Friday, May 15 & Saturday, May 16, 2015

at Ave Maria University, Ave Maria, FL

The Florida chapter of the Church Music Association of America (CMAA) and the Ave Maria University Department of Music are pleased to announce our seventh annual conference in Gregorian Chant.

The conference will include:

Keynote Speaker:
Father James Bradley, Catholic priest of the Ordinariate of Our Lady of Walsingham (UK)

NEW:
Special day-long Saturday sacred music workshop for children (ages 9 to 18) with renowned clinician Michael Olbash, board member of the American Federation Pueri Cantores, the international Catholic choral organization for children (www.pcchoirs.org). Participating children are invited to chant chant in the closing Mass on Saturday, and are invited to serve as the principal choir for the 10:00 a.m. Mass at Ave Maria Oratory on Sunday, May 17.
Workshops

  • “A Guide to Square Notation”: Basic instruction on how to read Gregorian chant notation
  • “Learning the Ancient Notations Online”: Opportunity to a new software program to learn the notations of the oldest chant manuscripts (Laon and St. Gall)
  • “English Chant for Parish Cantors”: Learn how to bring chant in English to your parish

Chant Choirs

  • Scholae
    for beginning/intermediate (men & women); advanced men; advanced women

Masses

  • Opening Missa cantata in the Extraordinary Form on Friday evening
  • Closing Missa cantata in the Ordinary Form on Saturday evening (anticipated Sunday Mass) with English & Latin chants performed by conference participants

Registration

For more information on the conference, contact Susan Treacy, Ph.D., at: susan.treacy@avemaria.edu | (239) 280-1668

Conference Faculty

  • Keynote Speaker:
    Father James Bradley, Ordinariate of Our Lady of Walsingham
  • Mary Jane Ballou, D.S.M., Director of Cantorae Saint Augustine
  • Michael Olbash, M.Mus., CAGO/ChM, Saint Adelaide Church, Peabody, Massachusetts
  • Edward Schaefer, D.M.A., University of Florida College of Fine Arts
  • Susan Treacy, Ph.D., Ave Maria University

For more information about the event, see the conference details page.

Register now!

Musica Sacra Florida Conference Details

MSF 2015 Web Banner

Musica Sacra Florida

7th Annual Gregorian Chant Conference

sponsored by the Florida Chapter of the Church Music Association of America (CMAA)

in conjunction with Ave Maria University

Friday, May 15 & Saturday, May 16, 2015

About the Conference:

This two-day workshop will present beginning, intermediate, and advanced musicians with workshops and rehearsals that will enrich their knowledge of Gregorian chant and its use in the Roman Catholic liturgy.

Led by a faculty of chant specialists from around the state and beyond, attendees will learn practical methods for teaching chant and introducing it into the parish, and experience the chant in the context of the Divine Office and the Mass.

Beginning chant singers will be introduced to the basics of notation and rhythm according to the classic Solesmes method.

Experienced chanters will learn new repertoire and advance their understanding of rhythmic and interpretive nuance. Resources and practical methods for the cultivation of English-language plainchant in the life of the parish will also be discussed.

This workshop is ideal for choir members, parish music directors, Gregorian schola directors, music students, teachers, parents, seminarians, priests, deacons, and anyone who is interested in learning about the heritage of sacred music within the Roman Catholic Church.

Registration:

Registration fees are $60 ($15 for full-time students with ID and children) and include the price of instructional materials and instruction. Payment is made online.

Board Options:

Friday catered dinner: Estimated $30 (remit along with registration)

Other meals (on your own): For Saturday’s breakfast and lunch, conference attendees may eat at the AMU cafeteria or at restaurants in La Piazza, surrounding The Oratory of Ave Maria.

Room Options:

Overnight accommodations will be available at AMU’s Xavier Hall.

Participants may choose between the following room options for lodging.

Xavier Conference Center – Single occupancy

$60

Xavier Hall – Double occupancy

($37.50 per person) $75

Please reserve Xavier Hall accommodations separately from your conference registration by downloading the PDF form at the following link: Accommodations form (PDF)

Pre-registration is required.

Deadline: Friday, May 1, 2015

Contact Information :

Susan Treacy at (239) 280-1668 or susan.treacy@avemaria.edu

Conference Faculty:

Mary Jane Ballou
Cantorae St. Augustine, St. Augustine, FL

Mary Jane Ballou, D.S.M., is the founder and director of Cantorae St. Augustine, a women’s ensemble dedicated to chant and polyphony. She has 35 years’ experience in sacred music and her specialty is a cappella music for women’s voices. She has taught workshops on chant for beginners, as well as serving on the faculty of the Church Music Association of America’s Chant Intensive and Summer Colloquia. She also performs professionally on the Celtic harp throughout the Southeast. An additional interest is the organ and vocal music of New Spain and Mexico and she performed works by 18th century women religious on a historic organ at the 2014 International Festival of Organ and Early Music in Oaxaca, Mexico. Her harp recordings are available online at CD Baby. Dr. Ballou also produces and hosts Classical Fan Club, a weekly radio show featuring music “off the beaten track” on Flagler College Radio, WFCF St. Augustine 88.5.

Father James Bradley
Personal Ordinariate of Our Lady of Walsingham (UK)

Father Bradley is a Catholic priest of the Personal Ordinariate of Our Lady of Walsingham. He currently resides in Washington, DC, at Holy Comforter-Saint Cyprian Roman Catholic Church, and he is studying for the Licentiate in Canon Law at The Catholic University of America. Raised an Anglican, Father Bradley studied music at the University of Bristol after having sung as a boy chorister in the highly acclaimed choir of Winchester Cathedral. In 2010 he was ordained to the Anglican ministry, and served as Assistant Curate at Saint John the Baptist Church, Sevenoaks, Kent. During Holy Week of 2011, Father Bradley was received into full communion with the Catholic Church, along with the Vicar and about forty parishioners of Saint John’s. In May of that year Father Bradley was ordained to the Catholic diaconate, and in April of 2012 he was ordained to the sacred priesthood. Father Bradley writes a weblog, “Thine Own Service” (thineownservice.com), where more information is available about him and the Ordinariate.

Michael Olbash
Saint Adelaide Church, Peabody, MA

An accomplished musician and a Catholic homeschooling father of four, Mr. Olbash holds degrees in sacred music from Harvard University (B.A., cum laude) and St. Joseph’s College (M.Mus.), as well as the Colleague and Choirmaster certificates from the American Guild of Organists, which awarded him both the Choirmaster Prize and the S. Lewis Elmer Award in 2012. He has presented lectures and seminars at the local, regional, and national level on a variety of topics such as conducting technique, Gregorian chant, and the liturgical use of handbells. He currently serves as the Organist & Choirmaster at St. Adelaide’s Parish in Peabody, Massachusetts, where he directs three scholæ in the singing of the weekly High Mass in the Extraordinary Form, as well as a Parish Choir and Treble Choir. He is the founding director of the Blackstone Valley Catholic Youth Choir, which released its premiere recording “Clothed with the Sun” in 2013 and completed a tour of Connecticut and New York in 2014. An advocate of sacred music for children, he serves on the Board of Directors for the American Federation Pueri Cantores, assisting the AFPC with choir festivals around the country.

Edward Schaefer
University of Florida, Gainesville, FL

Edward Schaefer has served the College of Fine Arts at the University of Florida as Associate Dean for Academic and Student Services since 2007. Prior to coming to UF, Dr. Schaefer chaired the department of music at Gonzaga University for 12 years, and he directed a choral program at Gonzaga that distinguished itself with invitations to perform at state, regional and national conventions of music educator and choral director associations – including at the national convention of the American Choral Directors Association. Schaefer holds a certificate in advanced leadership studies from Gonzaga University, the D.M.A. in liturgical music from The Catholic University of America, and M.Mus., M.S.M., and B.Mus. degrees from Southern Methodist University. Dr. Schaefer’s research is focused on Gregorian chant and the music of the Roman Catholic Mass. His research has led him to studies with various chant scholars in the United States and France and a seven-month sabbatical in 2001 as a member of Le Choeur Grégorien de Paris and a student at Le Conservatoire National Supérieur de Musique, Paris. He has also published several works related to chant and the Liturgy, including Singing the Prayers and Readings at Mass (Priory Press, 2003), Catholic Church Music through the Ages: Balancing the Needs of a Worshiping People (Hillenbrand Books, 2008), “The Expressive and Formative Roles of Music: A Search for Balance in Liturgical Reform,” Antiphon 7:2 (2002), 21-36 and two recordings of chants for the Mass released in 2003 and 2005. Dr. Schaefer is a permanent deacon in the Catholic Church, and he directs the Florida Schola Cantorum, a small vocal ensemble that sings chant and polyphony.

Susan Treacy
Ave Maria University, Ave Maria, FL

Susan Treacy, Ph.D., joined the faculty at AMU after having taught at Franciscan University of Steubenville. She has also been a visiting professor at The Liturgical Institute, University of Saint Mary of the Lake, Mundelein, IL. Dr. Treacy holds a Ph.D. in historical musicology from the University of North Texas, a M.Mus. from the Manhattan School of Music, and a B.Mus. from Oberlin College Conservatory. Her research interests are in Catholic liturgical music and English devotional song, and besides having published scholarly articles, Dr Treacy writes a regular column, “Musica Donum Dei,” for the Saint Austin Review and is a contributor to Sacred Music. Dr. Treacy directs the Women’s & Men’s Scholæ at AMU, and while at Franciscan University she directed the Schola Cantorum Franciscana. She was a member of the editorial committee for the first edition of The Adoremus Hymnal and is on the Board of Directors of the Church Music Association of America.

Location:

Ave Maria University, 5050 Ave Maria Boulevard, Ave Maria, FL 34142

A downloadable campus map can be accessed here: campus map (PDF)

All events except the Masses are located in the Henkels Academic Building and the Bob Thomas Student Union, labeled 3 and 4 on the campus map.

Directions:

http://www.avemaria.edu/AdmissionsAid/VisitOurCampus/MapsDirections.aspx

Driving directions from Miami and Ft. Lauderdale
From I-75 take Exit 80 towards the North, and proceed 10 miles. At Oil Well Road, make a left turn (towards the west) at the Citgo station and proceed 5 miles. The entrance to the Ave Maria University campus (Ave Maria Blvd.) is on the right. The University’s Visitor Center is conveniently located in LaPiazza, approximately 3 miles north of the entrance.

If you are coming from the West Coast of Florida
Take I-75 to Exit 111 (Immokalee Road) and proceed east 10 miles to Oil Well Road. Turn right and proceed 10 miles. The entrance to the Ave Maria University campus (Ave Maria Blvd.) is on the left. The University’s Visitor Center is conveniently located in LaPiazza, approximately 3 miles north of the entrance.

From Southwest Florida International Airport (RSW)
Exit the airport and follow the signs to I-75. Proceed south to Exit 111 (Immokalee Road) and proceed east 10 miles to Oil Well Road. The entrance to Ave Maria (Ave Maria Blvd) is on the left. The University’s Visitor Center is conveniently located in La Piazza, approximately 3 miles north of the entrance. Turn right and proceed 10 miles. Ave Maria is on the left.

From Naples Municipal Airport, take Airport Road north 8.3 miles to Immokalee Road, then turn east and travel 11.6 miles to Oil Well Road. Turn right and proceed 10 miles. Ave Maria is on the left.

Parking:

Free parking is available on campus and in the town of Ave Maria. See the campus map for parking lot locations.

Registration Form

Registration for this event is now closed.

New Music Reading is Back for Colloquium XXV

photo courtesy Carlisle HS Choral Music

photo courtesy Carlisle HS Choral Music

Attention Colloquium composers! The New Music Reading Session for this year’s Sacred Music Colloquium is scheduled for Thursday, July 2, 2015 at 4:30 pm at Synod Hall at St. Paul Cathedral in Pittsburgh. If you have a piece of music you would like to submit for inclusion in the 2015 New Music volume, please sent it to programs@musicasacra.com in PDF format by June 15, 2015. Each composer may submit up to two pieces, for a total limit of 15 pages. A piece can be a motet or Mass movement, Latin- or English-texted, or other choral music suitable for the Roman rite.

In your e-mail, be sure to include your contact information for inclusion in the book. As this is a composers’ forum as much as a reading session, participation is limited to registered Colloquium participants. There is a $30 submission fee, paid through paypal or by check to our programs office (address: CMAA, PO Box 4344, Roswell, NM 88202). The fee covers the cost of printing the volume, and saves you from having to make 200+ copies of each of your submitted compositions.

In addition to the New Music Reading session, this year’s breakout schedule includes three days of breakouts with David Hughes, where you’ll be able to collaborate with other composers to fine-tune your compositions. Please bring at least 15 copies of the work you plan to use during the session for participants in the breakout.

If you have questions, please contact us at programs@musicasacra.com.

2015 Summer Chant Intensive

Duquesne5Announcing Summer Chant Intensive 2015
Duquesne University – Pittsburgh, PA
June 23-26, 2015

The Chant Intensive lives up to its name: though no previous experience with chant is required, beginners and intermediate chanters should be prepared for full immersion from the start. You will learn or review how to read and fully navigate all aspects of traditional Gregorian notation (square notes) with a masterful teacher.

The course will also address correct Latin pronunciation, the sound and mystery of the eight Church modes, Psalm tones and their applications, questions concerning the rhythm of plainsong, and more. Compline will be sung to allow participants to experience the beauty of a portion of the sung Divine Office. Gregorian repertoire will be used for Divine Office, Mass and for a concert on Thursday evening.

The CMAA Summer Chant Intensive is intended for beginning and continuing students and all who love and appreciate the central role that chant plays as the prayerful song of the Roman Rite–not only at cathedrals and basilicas but in any parish. The conference will inspire and prepare participants to continue the renaissance of sacred music in our time, in both the ordinary and extraordinary forms of the Mass.  In the years since the first CMAA Chant Intensive course was taught in 2008, hundreds of students have benefited from this in-depth course in Gregorian chant.

This summer’s course will be taught by instructor Wilko Brouwers, from the Netherlands, in one section including men and women. In addition to the sessions on chant, this year’s course will also offer breakout sessions by Dr. Ann Labounsky on organ improvisation, as well as a concert on Thursday evening combining chant and organ improvisation.

Breakout Detail

Organ Improvisation based on Gregorian Chant
Session 1 (Wednesday, June 24, 2015):
Demonstration of the modes and  chant hymns on them with their harmonizations. Students with particular interest in this material will receive handouts prior to the first session.

Session 2 (Thursday, June 25, 2015):
Application of material from session one in simple improvisations for preludes, offertories, communions, and postludes based on the chant hymns used in the course.

Useful Links

Summer Chant Intensive 2015 Schedule
Course Description
General Information about the Hilton Garden Inn
Special Conference Rate at Hilton Garden Inn
Registration Form
Online registration and payment
Detailed Information about Duquesne’s Housing and Facilities
Maps of downtown Pittsburgh
Map of Duquesne University
Course Registration for Credit at Duquesne University
Downtown Made Easy in Pittsburgh
Transportation to and from the Pittsburgh airport
Instructions for Priests and Seminarians
Suitability Form for Priests
Suitability Form for Deacons

The intensive will begin on Tuesday afternoon, June 23rd, and conclude with a 12 p.m. chanted Votive Mass in the ordinary form on Friday, June 26 at the Duquesne University Chapel of the Holy Spirit. The sung Mass will include Mass Ordinaries and the Gregorian propers for a Votive Mass.

Registration Information

Mail-in and online registration can be completed now. To register by mail and pay by check, complete the registration form and mail to CMAA, PO Box 4344, Roswell, NM 88202. The discount code for members has been sent to our member list by email. Please contact Janet Gorbitz or Mary Weaver or call 505-263-6298 for questions about your member discount code if you have not received it.

Registration is Now Closed

Tuition includes all sessions and materials as well as snacks and Dinner on Tuesday. You will receive all course materials including the Parish Book of Chant upon arrival. The week’s events will culminate with Mass at the Duquesne University Chapel, after which an optional closing lunch will be served.

Early Registration (deadline: March 31) for CMAA members is $300, including nonrefundable deposit of $75. Non-member price is $350. Payment must be made in full by March 31 to receive this rate.

Regular Registration (deadline: May 31) for CMAA members is $350, including nonrefundable deposit of $75. Non-member price is $400. Payment must be made in full by May 31 to receive this rate.

Space is limited for this course, but late registrations will be accepted if space is available after 5/31/15. The late registration fee is $50. UPDATE: Registration is now closed.

Meal Plan
An optional meal plan is available that includes breakfast (Wednesday – Friday), Lunches (Wednesday – Thursday) and Dinner on Thursday for $85. Wednesday dinner is on your own.
An optional Final Lunch after the Friday Mass is available for $25.

Dormitory accommodations will be available again to CMAA program attendees this summer. With easy walking distance to classrooms, chapel, dining facilities and other campus amenities, the reasonable rates and convenience of Vickroy Hall (Address: 1345 Vickroy Street, Pittsburgh, PA 15219) will make the dorms very attractive to our registrants. Dorm rooms are arranged in a suite arrangement, with two rooms sharing a bath. Complimentary wi-fi will be available in the dormitories. Login and Password information to be provided. Registrants may choose either single or double occupancy in the dorms. Room rates are $50/night single occupancy or $40/night for double occupancy. Take a look at the general appearance and layout of the dorm rooms on this Dorm flyer. All residence halls are air-conditioned. The University is patrolled by sworn officers 24 hours a day, 7 days a week.

On-campus parking is available in the Forbes Avenue Parking garage for all guests. The garage is covered and centrally located on campus. Guests may park in the garage on a cash basis or a parking permit may be established for their stay on campus. It is recommended that you park in the garage on cash basis when you arrive and then visit the parking office during regular office hours to purchase your parking pass for the duration of your stay.

Parking Rates
Rates subject to change, printed rates are not guaranteed.

Weekday Parking: $12.00
Evening and Weekend Parking (after 5pm): $ 6.00

For any participants with mobility issues, there is handicapped parking available at Duquesne University around campus. You can find out where those parking spaces are located by visiting the Duquesne University website here. These spaces do require the purchase of a surface parking pass at the parking office. Rates are the same for surface parking passes as for parking garage passes. Guests must have a handicapped tag or plate to make use of these surface tags.

Two payment options are available:

Payment by check, with $75 deposit due now and the balance due by March 31, 2015. If paying by check, please complete the registration form and send it with your deposit. Checks should be made payable to CMAA and mailed to CMAA Programs, P.O. Box 4344, Roswell, NM 88202. Add $25 if you need the special meals option.*

Accommodations and other information

Other Suggested Accommodations

HOTEL ACCOMMODATIONS are also available at the Hilton Garden Inn, University Place, 3454 Forbes Avenue, Pittsburgh, PA 15213, telephone: 1-412-683-2040. Rooms are available at the special conference price of $134 per room per night, plus tax, for single or double rooms, up to occupancy of four per room. Make your reservation before June 8th, 2015 to get the special group rate.
Amenities include free internet in all guest rooms and valet parking at $7 per day (discounted from $18/day). The property includes a business center with complimentary printing and printer, fitness center, full service restaurant, bar, complimentary beverage area and complimentary shuttle service within a 3-mile radius. This hotel is not within easy walking distance of Duquesne University, so guests staying at the Hilton should plan to use the hotel shuttle, public transportation or their own vehicle to attend the events on the Duquesne campus.
To register for hotel accommodations at this special rate, access our event reservation page.

Online Registration

Registration is now closed.

E-mail Janet Gorbitz or Mary Weaver or call 505-263-6298 for questions about your member discount code. If you sign up as a non-member, you will not receive your $50 discount.

Cancellation: Requests received in writing at the CMAA Office by June 8 will receive a refund less the nonrefundable $75 deposit. Refunds will be processed after the Chant Intensive course has concluded. Any requests for cancellation after June 8 will only be processed if a replacement from the waiting list is able to take your place. We expect this course to fill quickly, so don’t delay.

 

Faculty

mku monteverdikamerkoor utrecht (145 van 210)(1)Wilko Brouwers of the Netherlands will be the instructor for the Chant Intensive course this summer. He has taught both chant and polyphony at the CMAA Colloquia since 2004 and has developed a loyal following among CMAA program attendees. We are indeed fortunate that his schedule will allow him to also teach this course.

Wilko Brouwers has conducted the Monteverdi Kamerkoor Utrecht since 1989 and the Strijps Kamerkoor Eindhoven since 2004. He is also currently the director of the Gregorian Schola of St. Benedictus Abbey in Achel, Belgium, a post he has held for the last eight years. His original compositions have been published and recorded.

As a music educator, Wilko Brouwers teaches choral conducting at the Utrecht Art Center in the Netherlands. Internationally, he has taught workshops on Gregorian chant in Auburn, Alabama, Still River, Massachusetts, and Pamplona, Spain. Brouwers is the author of Stepping Tones, a method of sight reading for elementary schools and children’s choirs based on the Ward Method. His Words with Wings: Gregorian Chant for Children in Twenty Lessons has been published by the Church Music Association of America, with both student and teacher’s workbooks and demonstration CDs. Brouwers also writes on chant, music education, vocal training, and choral repertoire for a number of Dutch and European music journals.

ann-labounsky-by-terry-deglauDr. Ann Labounsky is widely known, both in the United States and in Europe, as a virtuoso performer and improviser at the organ and particularly as a leading American disciple of Jean Langlais. From 1962 to 1964 she lived and studied in Paris as a Fulbright scholar. There, as an organ student of André Marchal and Jean Langlais, she immersed herself in the French organ tradition, studying many of Langlais’s organ compositions with the composer, and playing them for him on the organ at Sainte-Clotilde. In 1964, as Langlais’s student at the Schola Cantorum, she was awarded Diplôme de Virtuosité with Mention Maximum in both performance and improvisation, the first American organist to be so honored.

Labounsky has been a frequent concert performer on two continents, including a number of recitals on the organ at Sainte-Clotilde. Her performances have been broadcast over the French National Radio, as well as public radio stations in the United States. Her undergraduate and graduate degrees in organ were earned at the Eastman School of Music and the University of Michigan. She also holds the degree of Doctor of Philosophy in Musicology from the University of Pittsburgh. She is the author of a biography of Langlais, Jean Langlais: The Man and His Music, (Amadeus Press, 2000). In celebration of the centennial of Jean Langlais in 2007, the Los Angeles Chapter of the American Guild of Organists produced a DVD entitled Life and Music of Jean Langlais for which she was the narrator and performer at the Pasadena Presbyterian Church in Pasadena, California.

Labounsky holds the position of Organ Artist in Residence at First Lutheran Church in Pittsburgh. For more information about Dr. Labounsky, visit her website.

Graduate and undergraduate music students may receive credit for their attendance at CMAA Colloquia and Chant Intensive courses.

Recommended Text, available for purchase at the course: Gregorian Missal or Graduale Romanum. Please bring your own copy or make plans to purchase one at registration.

Not a CMAA Member? Join now.

 

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