Search Results for: weber

Experience the Stunning Beauty of Catholic Liturgical Music

SACRED MUSIC COLLOQUIUM XXIV June 30-July 6, 2014 Indianapolis, Indiana

Celebrate the 4th with the CMAA!

4thIndianapolisYou are invited to experience the Sacred Music Colloquium, the largest and most in-depth teaching conference and retreat on sacred music in the world. Our 2014 program offers new and expanded opportunities for learning, singing, listening, and interacting with the best minds and musicians in the Catholic world today!

This summer will mark the 50th Anniversary of the Church Music Association of America. Come to this year’s Colloquium and celebrate with us.

Update: LATE Registration Closed.

The primary focus of the Colloquium is instruction and experience in chant and the Catholic sacred music tradition, participation in chant choirs, daily and nightly lectures and performances and daily celebrations of liturgies in both English and Latin.

You are there not merely as an attendee but as an integral part of the greatest music you will ever experience. It will will touch your heart and thrill your artistic imagination.

Attendance is open to anyone interested in improving the quality of music in Catholic worship. Professional musicians will appreciate the rigor, while enthusiastic volunteer singers and beginners new to the chant tradition will enjoy the opportunity to study under an expert faculty. Those who choose not to sing at all but merely want to learn will find a once-in-a-lifetime opportunity to absorb the full ethos of a world of the best liturgical music.

Do you want to make this trip your family, 4th of July vacation? There are so many things so see in downtown Indy! Learn more about Indianapolis here.

Some Colloquium highlights

  • Extensive training in Gregorian chant under a world-class faculty, with choices of a chant class for beginners, and intermediate and and advanced chant classes;
  • Morning and afternoon sessions all week with lectures and workshops with the best of the best thinkers and doers in the world of Catholic music;
  • Optional choral experience with one of four large choirs singing sacred music of the masters such as Palestrina, Bruckner, Victoria, Di Lasso, Tallis, Josquin, and many others;
  • Daily liturgies with careful attention to officially prescribed musical settings in English and Latin;
  • Experience in singing or just listening to Mass settings, motets, chants, and responses;
  • Two gala dinners with top lecturers and events;
  • Individual training in vocal production and technique;
  • Conducting practicum;
  • Training for Priests in the sung Mass;
  • Pedagogy demonstrations;
  • Sessions on resources and strategies to implement in your own parish;
  • All music, including prepared packets of chant and polyphony, as part of registration.

Two inspiring venues

Colloquium Masses will be held at St. John the Evangelist (1830) in the heart of downtown Indy. In addition, historic Christ Church Cathedral (Episcopal) will be hosting many of our rehearsals and organ sessions. On June 30th, the Christ Church Cathedral Choir will perform a Choral Evensong for the Colloquium. Read more about it here.

AMONG THE FACULTY

Dr. Mary Jane Ballou, Director of Cantorae St. Augustine, St. Augustine, FL
Adam Bartlett, The Liturgical Institute, Mundelein, IL
Wilko Brouwers, Monteverdi Choir, the Netherlands
Dr. Horst Buchholz, St. Louis Cathedral
Charles Cole, Westminster Cathedral; Brompton Oratory
Dr. Jennifer Donelson, CMAA Academic Liaison; Nova Southeastern University
Janet Gorbitz, Assumption Parish, Roswell, NM
David J. Hughes, St. Mary, Norwalk, CT
Simon Thomas Jacobs, winner of the First Prize and Audience Prize at the 2013 St Albans International Organ Competition and Fellow in Sacred Music at Christ Church Cathedral, Indianapolis
Dr. Ann Labounsky, Duquesne University
Dr. William Mahrt, CMAA President, Stanford University
Dr. Denis McNamara, Liturgical Institute of the University of Saint Mary of the Lake / Mundelein Seminary
Matthew J. Meloche, Sts. Simon and Jude Cathedral, Phoenix, AZ
Jeffrey Morse, St Stephen, the First Martyr Church; Sacramento, California
Dr. Mee Ae Nam, Eastern Michigan University
Rev. Robert Pasley, CMAA Chaplain; Pastor, Mater Ecclesiae, Berlin, NJ
William Riccio, Jr., St. Mary, Norwalk, CT
Jonathan Ryan, Organist; Jordan Prize Winner
Dr. Edward Schaefer, University of Florida
Rev. Christopher Smith, Prince of Peace, Taylors, SC
Dr. Susan Treacy, Ave Maria University
Scott Turkington, Director of Sacred Music, Holy Family Church & Holy Family Academy; Minneapolis, MN
Dr. Paul Weber, St. Martin of Tours Catholic Church; Louisville, KY.

A few comments (among hundreds) from past attendees

Listen to  sound files from 2008-2013.

  • “I still can’t get over the unforgettable experience of attending the Colloquium. It was a real eye-opener and has enriched me musically, spiritually and intellectually. The instructors were excellent! The food and entertainment were great! The Masses were heavenly! I am already looking forward to the next one and hope I could bring along more people to help in restoring the Church’s musical and liturgical treasures.” Edwin Fernandez
  • “Thank you from the bottom of my heart for the wonderful work you all put into the Colloquium. This was my second year attending and I thoroughly enjoyed myself. The information was great, the conducting was amazing and the organization was fabulous. I had tears in my eyes several times during the Masses… I attended the colloquium last year as a volunteer musician at our parish and this year I attended as music director for our parish. I was hired three months ago and since then we have completely revamped our 11:30 Mass. Our pastor and I did a ton of education through bulletin inserts and preaching. I immediately formed a schola….”
  • “It was a wonderful experience for me, truly six days of heaven, and I will never forget it. I particularly enjoyed the conducting class, and the polyphony rehearsals, the lectures and organ performances and improvisations, all the Masses, of course. In short, everything that I attended. I know that this success did not come without a tremendous amount of work on everyone’s part…” Dove Pierce
  • “The CMAA Colloquium has now indisputably claimed a place among prestigious and well-run music conferences. You will certainly want to attend next year’s event – this was my first time, and the experience was overwhelmingly positive!” Gary Penkala, Cantica Nova Publications

Scholarships

The CMAA is dependent on donations for scholarships. If you are interested in sponsoring a musician, priest, or seminarian’s attendance, please write to us at programs@musicasacra.com. If you are registering yourself and would like to give a little extra toward scholarships, you can add that amount to your own fees, and indicate as much on the online or mail in registration form. No amount is too small. All donations are applied directly to scholarships. UPDATE: All scholarship funding has been awarded for this year.

HOTEL ACCOMMODATIONS may still be available, and most conference sessions will be held, at the Sheraton Indianapolis City Centre, which is offering the special conference price of $99 per room per night, plus tax, for single or double rooms, up to occupancy of four per room. Make your reservation before June 4th to get the special group rate. UPDATE: Contact the Sheraton directly to find out availability and rates for Late Registration.

Special group amenities include free internet in all guest rooms (discounted from $11.99 per day) and parking at $8 per day (discounted from $25). The property includes a swimming pool, fitness center, Starbucks, full service restaurant, bar, and business center.

The Sheraton is located on Indy’s famous Monument Circle, and sits directly across the street from Christ Church Cathedral. CVS Pharmacy and Federal Express are right next door in same city block. Make your reservation today. 

LATE REGISTRATION FEE: Late registration (Includes $75 nonrefundable deposit, all sessions, materials, opening reception and dinner and a fourth of July reception and rooftop dinner celebration) is $660. Brunch on Sunday, July 6, is optional and available along with your registration fee for an additional $36 per person. For special dietary needs for any or all of the banquet events, add $25. Regular Registration ended on June 4, 2014.

Late registrations are closed.

Registration is a two-step process

  1. Fill in and submit registration form below.
  2. Make payment (see options, below). Your registration will not be considered complete until you’ve done both. If you have a question about payment, e-mail Mia Coyne. If you have a general question, e-mail Janet Gorbitz.

Payment options

Pay by check:  Make check payable to the CMAA and mail to CMAA Programs, 4100 Dirt Road, Roswell, NM 88201 or Pay online via Pay Pal:


For installment payments (please note that payment in full should have been received by June 4th.):

> Scholarship donations are gratefully accepted:

Colloquium XXIV Highlights: Organist Simon Thomas Jacobs

simonthomasjacobsAs part of Colloquium XXIV, we are thrilled to announce this year’s organ recitalist who will present a program of music showcasing all the Indianapolis Christ Church Cathedral’s organs.

Continue

Mass Propers in English

The Propers of the Mass are liturgical texts that vary from day to day according to the calendar: the Introit, the Gradual, the Responsorial Psalm, the Alleluia Verse (and the Lenten Tract which substitutes for it), the Offertory Chant, and the Communion Antiphon.

In recent years, there has been a flowering of musical settings in English for the proper texts of Mass, providing easy ways for choirs, cantors, and congregations to sing these authentic liturgical texts.

Over twenty collections of propers in English have appeared, and this page is a catalog of them. Many are available as free downloads or as printed books, so that you can sample some of the pieces while you decide which ones are most useful for your parish.

Some of these collections provide only one type of antiphon: that is, only entrance chants or only communion chants, while some provide several proper chants for the different parts of Mass. Also, some are based on Anglican-tradition texts, while some are based on texts published under Catholic authority.


The American Gradual

Bruce Ford
modern notation (first edition); chant notation (second edition)
download first edition; download or buy second edition

Texts from the 1979 Book of Common Prayer and the RSV Bible, edited
Melodies adapted from the Graduale Romanum and Graduale Novum (the second edition)

Provides: Entrance, Offertory, Communion;
first edition also includes the Gradual responsory, Alleluia, and Lenten Tract

The Anglican Use Gradual

C. David Burt, Partridge Hill Press
neumes
buy
download
Texts from Graduale Romanum
English propers set to psalm tones
Provides: Entrance, Gradual, Offertory, Communion

Archdiocese of Detroit Antiphon Project

Ronald Prowse and others, AOD Academy of Sacred Music
modern notation
files
Texts from Graduale Romanum and the Roman Missal
Provides: Entrance, Offertory, Communion

By Flowing Waters

Paul Ford, Liturgical Press
modern notation
buy
Texts from Graduale Simplex (2nd ed., 1975); The Simple Gradual (ICEL, 1968)
Melodies adapted from the Graduale Simplex. In addition to texts for major feasts, there are eight sets of seasonal texts for Ordinary Time, two for Advent, six for Lent, two for Sundays after Easter.
Provides: Entrance, Responsorial Psalm, Alleluia, Offertory, Communion

Chabanel Psalms

Jeff Ostrowski, Corpus Christi Watershed
modern notation
buy or download from this website
Texts from US Lectionary, 2nd ed.
Accompanied modal psalms. The web site includes settings by several other composers, in addition to those in the published edition.

Choral Communio

Richard Rice, Hostia Laudis Co.
modern notation
download from this website
Texts from Graduale Romanum
SATB Settings of each Sunday’s communion chant

Choral Graduale Simplex

Aristotle Esguerra
modern notation
download: files listed here
Texts from Graduale Simplex
Melodies adapted from the Graduale Simplex, and set to SATB harmony. They can also be used a capella on the S line, or sung by an accompanied cantor.

Communio – Latin with English Verses

Richard Rice, CMAA
neumes
buy
download
Texts from Graduale Romanum
Latin communion antiphons with English psalm verses

Communion Antiphons

Fr. Columba Kelly, OSB
neumes
info; download
Texts from Roman Missal
Antiphons for Sundays, with verses from the Revised Grail Psalter.

Congregational Communion Antiphons for the Church Year

Jared Ostermann
modern notation
info
Texts from Roman Missal and
Antiphons for Sundays, with verses from the Revised Grail Psalter.

Entrance Antiphon Hymns (Catholic Antiphon Renewal)

Luke Massery and Greg Heislman
modern notation
website
Texts from Graduale Romanum, translated by Greg Heislman
Introits, adapted into hymn form

Entrance Antiphons

Fr. Columba Kelly, OSB
neumes
info; download
Texts from Roman Missal
Antiphons for Sundays, with verses from the Revised Grail Psalter.

Entrance Antiphons

Richard Rice
modern notation
download: at the website of the St. Michael Hymnal
Texts from Roman Missal; The Sacramentary (1985), ICEL
Introits for the liturgical year in metrical settings for schola or congregation. Includes accompaniment.

Entrance Antiphons for the Advent Season

Fr. James Chepponis, Morning Star Music
modern notation
preview or buy
Texts from Roman Missal (2011, ICEL)
These entrance antiphons from the Roman Missal are scored for SATB choir with optional organ. They can be used in a call/repeat style, if desired.

Garnier Alleluias

Jeff Ostrowski, Corpus Christi Watershed
modern notation
download

Texts from US Lectionary, 2nd ed.
Accompanied chant gospel acclamations for the liturgical year.

Graduale Parvum

Rev. Guy Nicholls, Association for Latin Liturgy
neumes
buy

English texts from the Roman Missal; Latin texts from the Graduale Romanum and the Roman Missal.
Chant introits with simplified melodies for Sundays and Solemnities.

Hostia Laudis (English Chant 2020)

Richard Rice
neumes (cantor) and modern notation (accompaniment)
buy
Texts from the U.S. Lectionary, the Roman Missal, and the Confraternity Psalms
Introit, Offertory, Communion antiphons; Responsorial psalms with accompaniment; verses in Gregorian psalm tones.

Hymn Tune Introits

Kathleen Pluth and Charles Giffen
modern notation
PDF (Advent)
Texts from Graduale Romanum, adapted into hymn form
Introits

Lalemant Propers

Jeff Ostrowski, Corpus Christi Watershed
neumes
buy
download
Texts from Graduale Romanum, Gregorian Missal, Revised Grail Psalter
The Graduale Romanum in English, set to the music of Gregorian Psalm Tones, for Sundays and Solemnities

Laudate Dominum Communion Antiphons

Andrew Motyka
modern notation
download from this site
Texts from Graduale Romanum
Accompanied settings of the communion chant for congregational use in a responsorial psalm style. Also includes practice recordings.

Lumen Christi Simple Gradual

Adam Bartlett
neumes
buy

Entrance, Offertory, and Communion Antiphons. Texts from Graduale Romanum and the Roman Missal.

Modal Responsorial Psalms & Gospel Acclamations

Aristotle Esguerra, Corpus Christi Watershed
neumes
buy
download
Texts from US Lectionary, 2nd ed.
Unaccompanied modal psalms.

Parish Book of Psalms

Arlene Oost-Zinner, CMAA
neumes
buy
download
Texts from US Lectionary, 2nd ed.
Unacccompanied modal psalms

Plainchant Gradual

Palmer and Burgess, CMAA
neumes
buy vol1&2, vol3&4
download vol1&2, vol3&4
Texts from Graduale Romanum
The melodies found in the Graduale Romanum set to English translations.
Provides: Entrance, Offertory, Communion
Note: these chants have been transcribed by Andrew Hinkley for the Gregobase collection of chant engravings and transcriptions: volumes I and II; volumes III and IV

The Proper of the Mass

Fr. Samuel Weber, OSB
neumes
buy
website
Texts from Graduale Romanum in English translation
Proper chants, fully notated, including options with full or simplified melodies. The volumes cover (1) Sundays and Solemnities, (2) weekdays, (3) the sanctoral calendar, and (4) ritual Masses. Organ accompaniments are available at the website.

Psalm 151

Brian Michael Page
modern notation
website
Texts from the Roman Missal and the Graduale Romanum
Introits, Responsorial Psalms, Offertories, Communions for Sundays and Solemnities. Gradual responsory included for some Sundays.

Psalm-Tone Lenten Tracts

Aristotle Esguerra
neumes
download
Texts from Graduale Romanum
The tracts of the Sundays and feast days of Lent, set to psalm tones for easy singing.

Simple Choral Gradual

Richard Rice, CMAA
modern notation
buy
download
Texts from Roman Missal Second Edition (The Sacramentary, 1985)
Proper texts of the Mass set for an SATB choir and congregation. A Braille adaptation of the first edition is on-line.
Provides: Entrance, Offertory, Communion

Simple English Propers

Adam Bartlett, CMAA
neumes
buy
download
Texts from Graduale Romanum; Gregorian Missal
Melodic adaptations and textual translations of the Graduale Romanum Propers for Sundays and Feast days
Provides: Entrance, Offertory, Communion

Thanks to Noel Jones for contributing to this handy list.

Appendix: Additional resources for Mass Propers

Plainchant:

More English resources (many suitable for Ordinary Form Masses in English):

Public Invited to Colloquium Liturgies

The Church Music Association of America is pleased to extend an open invitation to all liturgies and events scheduled to take place at Pittsburgh’s Church of the Epiphany as part of Sacred Music Colloquium XX. The dates are June 21-27, 2010.

This is a unique opportunity to participate actively, internally and externally, in liturgies in which sacred music, Gregorian chant and polyphony (and beyond), resume pride of place in their native setting. Both Ordinary Form (OF) and Extraordinary Form (EF) Masses will be celebrated during the week, as well as Gregorian and polyphonic vespers and night prayer.

Of special note this year: Tuesday’s OF Mass in English with propers and ordinary chants newly composed in the Gregorian tradition by Fr. Samuel Weber, Bruce Ford, and Richard Rice; Tuesday evening’s organ recital by Montreal’s dazzling Isabelle Demers; Saturday’s EF Mass consisting in a chanted ordinary (Mass IX) and polyphonic propers by William Byrd, and Sunday’s outing of Schubert’s Mass in G with organ and orchestra. Other treasures of the week include Palestrian’s Missa Brevis, polyphonic vespers with music of the Roman renaissance,and and array of motets by Taverner, Tallis, Lasso, Guerrero, Bruckner and more.

Download and post the Colloquium_Liturgy_Schedule

Colloquium 2007: A report

The Sacred Music Colloquium, sponsored by the Church Music Association of America, was an unprecedented success this year, with 140 people attending from around the country and the world. They studied Gregorian chant and polyphony for use in liturgy, and sang the very music from classroom setting at Masses held at the Crypt Church of the National Shrine of the Immaculate Conception, at The Catholic University of America, Washington, D.C.

Attendance was far higher than expected, so much so that registration for the colloquium had to be closed fully two months before the event took place from June 22 through 27, 2007.

This was the 17th annual colloquium focused on the restoration of the sacred within Catholic liturgy. Participants, including organists, choir directors, singers of all levels, as well at 17 priests, were in universal agreement that this indeed was “six days of musical Heaven.”

Sessions began on Tuesday afternoon with introductory talks by CMAA president William Mahrt. Vice president Horst Buchholz presented an introduction to conducting, even as auditions were being held for chamber choir scheduled to sing three motets during the week. The full group gathered for more introductions and dinner, and met after for the first rehearsal, which largely focused on the first liturgy to be held the following mid-morning.

Throughout the week, chant master Scott Turkington led the men’s schola through the propers of the week’s Masses, while Mahrt conducted the women’s schola. Amy Zuberbueller led the sessions introducing the chant to new singers, covering the reading of Gregorian notation and working on pitch and rhythm. Lectures throughout the week were given by Mahrt, Buchholz, Rev. Robert A. Skeris, and Kurt Poterack. The rehearsal accompanist throughout the week was organist David J. Hughes.

The Masses explored a wide range of options within the Roman Rite. The first Mass was in English, with English propers adapted from the Graduale and Psalm tone by Rev. Samuel Weber, OSB. The choirs sang Kyrie XVIII, a Pater noster setting by Mahrt, and the Sanctus and Agnus Dei set to chant in English from the Sacramentary. The principle celebrant was Fr. Skeris.

The next day’s Mass was a requiem for the deceased members of the CMAA. The propers were from the Graduale, the ordinary was Mass XVIII, the sequence for the Mass was sung in alternatim, and two motets were sung: Ave Verum by Edward Elgar and “I Am the Resurrection and the Life” by William Croft. The Mass, celebrated by Rev. Jeffrey Keyes, was in Latin.

The remaining Latin Masses were for the feast of Ss. Thomas More and John Fisher (Rev. Robert C. Pasley was the principle celebrant) and the Nativity of St. John the Baptist. The sung ordinaries in these Masses were from Victoria’s Missa O quam gloriosum and Croce’s Missa sexti toni. Motets were Bruckner’s Os justi, Tallis’s O nata lux, Monteverdi’s Cantate Domino, and Palestrina’s Ego sum panis vivus.

The colloquium experienced a rare opportunity to compare the classical Roman rite, celebrated on Saturday at St. Mary’s Catholic Church, with the modern rite for the same feast, celebrated at the Crypt Church the following day by Rev. Lawrence Donnelly.

On Friday evening, the event was called “coffeehouse polyphony” and the choir read through polyphonic music that predated the Council of Trent. This was followed by a series of performances, sometimes serious and sometimes silly, by attendees. It was the first colloquium to feature such an event.

Mahrt wrapped up the week’s events with a call for attendees to take home what they have learned and become leaders in the revival of the sacred in their own parish environments. Recordings of some of the music can be heard at MusicaSacra.com. Some images from the colloquium also appear on this site.

The colloquium next year will be held during the same week in June. Because the colloquium will need to dramatically expand to keep up with demand, program director Arlene Oost-Zinner said that details concerning location will be announced at a later date.

Archives

Sign up for occasional news updates and a free e-book of The Parish Book of Chant

* indicates required















Press RETURN to submit your information.
We respect your privacy and will never share your info.